Artist Statement
There is this certain comfort that can be found in discomfort and that is what I seek to invoke. I aim to provide comfort not only to myself but to others that have experienced trauma at the hands of men and add to the discomfort of those who haven’t. I use art to share what feels like isolated experiences but in reality are far too common. Through sculpture, I create pieces of scenes that break the idea of the body as an object and as a concept. I have displayed dinner tables of various body parts and sections of the body to show the idea of consumption in its many forms. The materials I use like silicone, fabric, wax, paper, and plaster, all strike this sense of familiarity in me from their softness. To me, these materials relate back to femininity and the role women hold in craft, mixed with the enforced softness of women reflected in them. When placed in contrast with the abrasive themes of cannibalism, sexual assault, body horror, and sexism, it creates a duality drenched in sheets of white and shades of red. The manipulation of the body through sculpture is where I have found catharsis.
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Artist Bio
Riley Johnson is a North Virginia based artist who earned a Bachelors of Art from George Mason University in 2024. Art always captivated the artist especially in the form of horror movies like Texas Chainsaw Massacre and Silence of the Lambs. They were inspired by the dramatics of film but it was until being inspired by the likes of Francis Bacon, Louise Bourgeois, and Francisco De Goya, did they see how visual art can convey and dissect their vision too.
Johnson currently works in a variety of mediums but their main focus is in sculpture and illustration. Their sculpture practice revolves around the feminine body and the view of women in American society. Themes of cannibalism and body horror are used to convey the objectification of the feminine body, the impact of sexual assault and rape culture, and the treatment of trauma. Their current project is an experimental mix of stop motion, live action, and projection to flip the trope of revenge fantasies on its head. This piece will be a part of the December 2024 exhibition Spectra held by Mason Exhibitions Arlington.